Pages One & Two

Pencils for the first two pages of The Last Brother Hypertext.

This is the first page turn and a proper beginning to the work.

As a preliminary description there’s not much to say.   I’m very pleased with these pages in their composition of the first part of the performance.  They are as simple and direct as one could wish.

In terms of this website, and the plan for these LBH posts as a literal hypertext, there’s much I have to learn. I’d like to include links to the first two pages in the original FIVE CHINESE BROTHERS since these pages are built as very close parallels to them.  That is to say, much of their significance comes from likenesses to and differences from these originals.

One special instance of a likeness/difference is the exchange of the original’s waves for cars.  In the original the setting is the seaside. In the revision as can be seen here, the setting is a diner by the highway. Cars appear in the place of waves as is appropriate to the switch in setting. This cars for waves exchangecarries a further significance. In making the change I was reminded of the lyric from the Tom Petty song AMERICAN GIRL: “Yeah she could hear the cars roll by out on 441 like waves crashing on the beach…” Also FROM The Doors song THE CARS HISS BY MY WINDOW: “The cars hiss by my window like the waves down on the beach…” Mine is a quieter reference to the identity of the sounds…

In any case, I’m trying to learn how to place the original pages from THE FIVE CHINES BROTHERS on pages that won’t appear as posts in this immediate blog, but will be independent of it somehow. Just a click or two of a button I’m sure. Eventually I’d also like something such as this cars/waves thing to have an independent place, one which would leave the primary posts as simple as possible.

Begin it Here

This is a hybrid image: it contains elements of two of my projects, THE LAST BROTHER HYPERTEXT and KERRY’S COMICS BOOK. The figure is Leroy, one of the main characters from KERRY’S COMICS BOOK (KCB). The bulb with the door with smoke or steam rising out of it is first and foremost the oven1 from THE LAST BROTHER HYPERTEXT(LBH).

The image is, I think, less a cartoon than a doodle. Is a doodle worth posting? I value such less-than images because their simplicity allows a suggestiveness denied more elaborated pictures. This suggestiveness is important to my work, especially THE LAST BROTHER HYPERTEXT.2

The simplicity of the lines allows for likenesses: look how the outline of the panel echoes the shape of the oven.3 The outline of the word balloon echoes the shape of the oven’s door. This likeness, and that the balloon and the door oppose one another symmetrically diagonally, suggests to me the numbers and suits on a playing card. Is this important? It turns out to be. Cards play a central part in Volume Five of LBH.

  1. The oven in which of course “dare” is somebody, the Fifth Brother from Hutchet-Bishop and Wiese’s FIVE CHINESE BROTHERS. ↩︎
  2. Especially THE LAST BROTHER HYPERTEXT and in particular the image of the Giant Bulbous Head (GBH) which haunts the whole of LBH. ↩︎
  3. One suggestion that may be taken from this echo of the frame and the oven is the mise en abyme: imagine the door of the oven opening to reveal another panel in which there sits another oven with another open door, etc.. ↩︎

Some Place Mats

Chosen from the Facebook Group Kerry’s Place Mat Club. If you follow this link SCROLL LEFT: https://www.facebook.com/photo/?fbid=10151231249276193&set=g.429854057091530

A Variety Of Stereoscopes

The Perfect Stereoscopemaya-heart-new-dimensions2

This post features a collection of images that I’ve labelled “stereoscopes” over the years.  Some are conventionally, some are unconventionally stereoscopes.  Before jumping in I wanted to offer the chance to appreciate the perfect stereoscope.  This stereoscopic image was constructed of no less than ten individual photographs.  They were combined in photo-editing software and together compose an image both visually pleasing and analogically philosophical.

Stereoscopes:  How to Make a Finger Hotdog

finger hotdog

A stereoscope allows the perception of three-dimensions from two dimensional images. Continue reading

The QuarryMen: Willi Paul and the Matter of Mythology

creche sketch 02Carridine invited Willi to talk after reading tens of Willi’s interviews with people involved with permaculture and mythology. Willi’s compelling applications of mythology to social and environmental crises turn the familiar conversation surrounding myth on its head. Carridine also found his commitment to online archiving admirable. He invited Willi to have a conversation he believed would be productive of a greater synthesis between depth experience and social organizing for sustainable change.

You can find Carridine and Willi at the New Mythology Permaculture and Transition Group and the Depth Psychology Alliance – New Mythology Group.

Here is the first round of that conversation.
Continue reading